Saturday, May 20, 2017

Minnesota Opera's La Bohème

On Saturday night I attended the Minnesota Opera's performance of La Bohème at the Ordway in St. Paul with my friend Z. While others no doubt will point to more obscure fare, I'm not afraid to admit that I'm with the average Joe on this one: La Bohème is my favorite opera. This is true despite the fact that I'm generally predisposed to "numbers" operas, operas that are not through-composed and have discreet "songs" or "numbers." But La Bohème has many things going for it: it's Puccini; it has an understandable plot; it's romantic, and it has the music: Musetta's Waltz, "Quando me'n vo'" and the back-to-back-to-back extravagance of "Che Gelida Manina," "Si, mi chiamano Mimi," and "O soave fanciulla." I count those last as the best one-two-three punch in opera.

Intermission at the Ordway
The more I see this opera, the more I think it benefits from a straightforward approach. The libretto is tight, the score is unbeatable, and this simple love story is hard to beat. I have never been so grateful for a performance that lacked pizzazz. There were no anachronistic Nazis, no anti-Trump references, and there was no dry humping or full-frontal nudity (as at La Fenice recently). Instead, the Minnesota Opera got out of the way of a great opera and used a conventional staging to accomplish the result always brought on at the curtain fall: audible sniffles.

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Ten Recommended Classical Recordings: A Sampler for Those New to the Classical Scene

The following is a list of classical recordings that offer a variety of classical genres: opera, symphonies, keyboard, violin concerto, solo cello, piano concerto, and oratorio. Though it is mostly mainstream with respect to the represented composers, it reflects a variety of interesting sounds.

Because the list is intended for someone who is starting to explore classical music many of the recordings are now budget issues. If you have thoughts on the list or would like to pipe in with your own, please do!

1. Mozart: The Magic Flute; Sir Colin Davis, conductor, Staatskapelle Dresden, orchestra; Rundfunkchor Leipzig, choir; Moll, Schreier, Price, Serra, Melbye, Venuti; Philips Duo, recorded in 1985, released on CD in 1994.

2. Beethoven: Symphonies No. 5 and 7, Carlos Kleiber, Wiener Philharmoniker; Deutsche Grammophon, recorded in 1975 and 1976, released on CD in 1996.

3. Bach: Keyboard Pieces, Toccata, BWV 911; Partita BWV 826; English Suite No. 2, BWV 807; Argerich; Deutsche Grammophon, recorded in 1980, released on CD in 2000.

4. Tchaikovsky: Violin Concerto in D; Brahms: Violin Concerto in D; Jascha Heifetz; Fritz Reiner, Chicago Symphony Orchestra; RCA, recorded in 1957, released on SACD in 2005.

5. Panorama—Edvard Grieg, two discs of various piano and orchestral works; Deutsche Grammophon Panorama, recorded on various dates, released on CD in 2000.

6. Bach: Six Unaccompanied Suites for Cello; Yo-Yo Ma; Sony, recorded in 1983, released on CD in 1990.

7. Mozart: The Great Piano Concertos, Vol. I—Brendel; Sir Neville Mariner, The Academy of St. Martin in the Fields; Philips Duo, recorded in 1972-82, released on CD in 1994.

8. Handel: The Messiah; Sir Colin Davis, London Philharmonic Orchestra; Philips Duo, recorded in 1966, released on CD in 1994.

9. Rachmaninoff: Piano Concerto No. 3 and Tchaikovsky: Piano Concerto No. 1; Martha Argerich, Philips, recorded 1982 and 1980, released on CD in 1995.

10. Bach: The Brandenburg Concertos Nos. 1-4 (separate disc one); and Brandenburg Concertos Nos. 5-6 and Orchestral Suite No. 1 (separate disc two), Neville Marriner, The Academy of St. Martin in the Fields; EMI, recorded in 1985, released on CD in 2004.